Side Handle
I haven't made any side handle teapots in years. I made this one just for myself. It has no glaze on the outside except for that green pour. I want to see how the bare slip and clay will patina with use and age.
I'll put more pics later.
I'll put more pics later.
Pots
I am pleased with the pots that came out this morning. I'm finally getting a glaze that will behave. (I prob. just jinxed it). I am really thankful for this glaze! (Just want to get that across to the pottery gods)
These two yunomis were experimental in that I brushed a black stain into the incising and wiped it away before adding a very thin layer of clear glaze. I quite like these. I may add some dots to this idea later.
Cups. I'm liking the brushed slip. It adds some dimension to the pot. The poured slip is a bit too dense. I could counter that with some roughing of the surface or ? something. Also tinting the glaze may help add depth. That will be tried next go round.
I'm feeling good about these wacky pots. I tell ya, I just have to learn to accept myself.
These two yunomis were experimental in that I brushed a black stain into the incising and wiped it away before adding a very thin layer of clear glaze. I quite like these. I may add some dots to this idea later.
Cups. I'm liking the brushed slip. It adds some dimension to the pot. The poured slip is a bit too dense. I could counter that with some roughing of the surface or ? something. Also tinting the glaze may help add depth. That will be tried next go round.
I'm feeling good about these wacky pots. I tell ya, I just have to learn to accept myself.Jar
This jar came out this morning. It's the first one like this I've made with the added feet.
Karma barked, "Cut" when she thought I should stop the filming.
Halloween Glazing
Boo.Today was pretty much taken up by unloading the bisque, waxing, and getting everything glazed. I managed all that and got the kiln loaded around 5pm this afternoon. So it's going now and I should have some pics of new pots up on Sunday.
No big Halloween plans for us. Just maybe a movie at home.
Thanks for all the comments on my quiche. I don't think that baker is as deep as you all think it is. Anyhow I'll get the recipe up over the weekend.
Real Men....
Hey, I just made my first quiche! Not bad. I was inspired by Jen (a Domestic Goddess).
I'm off to teach again tonight at Clayworks. I'm filling in for Julie who's going to see New Kids On The Block (I'm not going to comment on that one).
I thought Sarah would be happy to find supper ready when she got home so I whipped this baby up.
The bisque kiln should shut off in about 30 min. so tomorrow I'll be glazing and reloading. New pots by Monday! I'm getting ready for the Carolina Pottery Festival which is Nov. 8th.
All for now.
Birds. Planning.
This is a fan shaped dish with a bridge handle from the early 17th century Japan. Mino ware.
I've got it up here to show where I got the idea for my birds from originally.
Mine are different, but I guess you can see the similarities.
Planning.
I am trying to approach the decorating process with some structure but still have it be spontaneous and quick. Today for instance I had a board of cups to draw on. I sat down and tried to get my mind quiet and be in the moment. (That meant getting Karma out of the shop for awhile). I picked up the cups and looked at them. I studied the slip pours and the marks on the cup. I thought, "what would work on here?" Then I'd quickly do a little sketch of my subject in my journal. I might have to do 3 or 4. I wasn't drawing the cup. Just the bird or fish or dog or whatever. Once I had that, I did a little rough in with pencil on the cup, and then worked over that with my incising tool. I try not to think too much and to let the tool have it's say in the mark making. I like to get it done quickly too.
My hope is that this will lead to more confidence in the drawing and less fear about screwing up. It will also probably eliminate me from putting things in weird places on the pot or just generally sabotaging myself. Better composition will result. I hope.
I didn't take any pics of those cups and they are already in the kiln, but I'll get some images of the process up later on. I just wanted to share what I'm doing and that it's helping.
I've got it up here to show where I got the idea for my birds from originally.
Mine are different, but I guess you can see the similarities.
Planning.I am trying to approach the decorating process with some structure but still have it be spontaneous and quick. Today for instance I had a board of cups to draw on. I sat down and tried to get my mind quiet and be in the moment. (That meant getting Karma out of the shop for awhile). I picked up the cups and looked at them. I studied the slip pours and the marks on the cup. I thought, "what would work on here?" Then I'd quickly do a little sketch of my subject in my journal. I might have to do 3 or 4. I wasn't drawing the cup. Just the bird or fish or dog or whatever. Once I had that, I did a little rough in with pencil on the cup, and then worked over that with my incising tool. I try not to think too much and to let the tool have it's say in the mark making. I like to get it done quickly too.
My hope is that this will lead to more confidence in the drawing and less fear about screwing up. It will also probably eliminate me from putting things in weird places on the pot or just generally sabotaging myself. Better composition will result. I hope.
I didn't take any pics of those cups and they are already in the kiln, but I'll get some images of the process up later on. I just wanted to share what I'm doing and that it's helping.
In Search of....
This is the last hat I had that I really liked. I bought it in Durango, CO. some years ago.
I also like this little hat of Shawn's. My favorite part is that little red/orange ball on top.So I guess I'm in the market for some kind of knit something or another. Having a top element seems important. Color would be good. (I'm tired of brown and gray). If it cost less than $40 would be nice too.
Thanks for all the comments and suggestions on the Monday. Later. post.
Wreck It
Remember the post I did a while back on Keri Smith's Wreck This Journal? Well, to really wreck a journal all I have to do is leave it out where Karma can get it, turn my back for 3 minutes and there you have it....
It was in pieces all over the yard when I found it. Good thing I was at the end of it and just bought this new journal.
I'm going to play around with all those pieces and paste the whole thing back together in some way. Maybe adding new elements as I go. Should be fun.
For more about Keri click HERE. She's amazing, I feel like she just lives and breathes creativity.
It was in pieces all over the yard when I found it. Good thing I was at the end of it and just bought this new journal.
I'm going to play around with all those pieces and paste the whole thing back together in some way. Maybe adding new elements as I go. Should be fun.For more about Keri click HERE. She's amazing, I feel like she just lives and breathes creativity.
Monday. Later.
Sarah came in this afternoon and caught me decorating. Nice head wear huh? See where Karma tried to destroy it earlier? I've got to get a new hat for winter. My best one is worn out so I dug up this old toboggan. If you know of some cool winter hats let me know. I bought the last cool one in Colorado five or six years ago. I'm due a new hat. I don't want anything crocheted!
Okay on to serious business. Steven put a post up recently and in it he said, "I decided awhile ago that I can’t be creative and critical at the same time. When I attempt the two simultaneously neither the analysis or the subject of that analysis prove terribly valuable."
I had that on my mind today as I made pots but even more so when I sat down to decorate this afternoon. This whole deco. thing is really new to me and I am trying not to just give up and go back to making my old pots. It's very intimidating and there are LOTS of people out there who are exceptional at it. Okay, that's me being 'critical' before I even get going right? So what I figure is that Steven is right, I can't stand there and analyze everything before it even happens. I have to let go, work, make, decorate, whatever. Just let go, try to possibly be in the moment maybe. If I stop too long or take too long to start...well it just looks forced, too thought out, stiff, no good.
At some point after that I can come back and ask questions, "What is good about this?", "what do I like?", "what can I do differently?"and so on. I can do that all along the way, making, slipping, decorating, glazing and after the firing. I think that sort of analysis can be very beneficial to me.
As I write this I am aware that I have to remember that I am making these pots first and foremost for myself. So I don't need to compare these pots with anyone else's. I have learned (and unlearned, and forgotten and remembered at times) that comparing is never productive for me. Not unless I can leave that annoying self centered judgmental voice somewhere in a sound proof room.
One of the best lessons I've learned as a potter is to keep working. Make pots. Doing nothing, or thinking about it too much gets me nowhere. Making lots of pots has been my best teacher. I think now I have to apply that to my drawing and be willing to try some new things, new materials, new subject matter, new surroundings whatever. I think using the dip pen on large paper will help me loosen up a good deal. Getting out and drawing my surroundings or things in the house will help too. (Today I drew a garden rake and a set of salt and pepper shakers on a cup. Why? I don't know. They were things that I had seen recently and who cares if they relate anyhow.)
Well that's a pretty long post for today. More tomorrow maybe.
Hey, I mixed clay today too!!!!
Okay on to serious business. Steven put a post up recently and in it he said, "I decided awhile ago that I can’t be creative and critical at the same time. When I attempt the two simultaneously neither the analysis or the subject of that analysis prove terribly valuable."I had that on my mind today as I made pots but even more so when I sat down to decorate this afternoon. This whole deco. thing is really new to me and I am trying not to just give up and go back to making my old pots. It's very intimidating and there are LOTS of people out there who are exceptional at it. Okay, that's me being 'critical' before I even get going right? So what I figure is that Steven is right, I can't stand there and analyze everything before it even happens. I have to let go, work, make, decorate, whatever. Just let go, try to possibly be in the moment maybe. If I stop too long or take too long to start...well it just looks forced, too thought out, stiff, no good.
At some point after that I can come back and ask questions, "What is good about this?", "what do I like?", "what can I do differently?"and so on. I can do that all along the way, making, slipping, decorating, glazing and after the firing. I think that sort of analysis can be very beneficial to me.As I write this I am aware that I have to remember that I am making these pots first and foremost for myself. So I don't need to compare these pots with anyone else's. I have learned (and unlearned, and forgotten and remembered at times) that comparing is never productive for me. Not unless I can leave that annoying self centered judgmental voice somewhere in a sound proof room.
One of the best lessons I've learned as a potter is to keep working. Make pots. Doing nothing, or thinking about it too much gets me nowhere. Making lots of pots has been my best teacher. I think now I have to apply that to my drawing and be willing to try some new things, new materials, new subject matter, new surroundings whatever. I think using the dip pen on large paper will help me loosen up a good deal. Getting out and drawing my surroundings or things in the house will help too. (Today I drew a garden rake and a set of salt and pepper shakers on a cup. Why? I don't know. They were things that I had seen recently and who cares if they relate anyhow.)Well that's a pretty long post for today. More tomorrow maybe.
Hey, I mixed clay today too!!!!
Monday Morning
Off to work.Have a good day.
More later.
Ron.
Pizza Night
Sarah's out with a girl friend tonight so Remy and I made pizza at home. Thumbs up. Watched Snatch again, now time for bed. Have a good weekend everyone.
All American. Obamaware Total
Yesterday I went to the best burger joint in town. If you've been reading this blog long you know I like a good cheeseburger now and then. The Taste-T Drive In has the best burgers in my opinion. You just order at the window or call in. They have a covered outdoor picnic area but I usually eat in the truck and listen to NPR. 
Juicy!
Juicy!
After having my all American lunch I headed over to the Board of Elections to vote. I had to wait in line about 20 minutes and then it took about 5 to vote. I was number 5731 to vote. If you can vote early you should, it will help out on Election Day.
Here's the final total on the Obamaware fundraiser.
CLICK HERE!
It's totally amazing what people can do when they come together and work as one.
CLICK HERE!
It's totally amazing what people can do when they come together and work as one.
Thanks!!
The Obamaware auction has ended and it looks like we raised a good amount of money for the Obama/Biden Campaign. I don't have the exact figure yet and don't want to be misleading so I'll wait on getting that out.
Thanks to everyone who bought pots and helped spread the word.
Thanks also to my readers who may not be for Obama. I appreciate you all for being patient with my posts. I tried not to voice my opinions about the election, and since this was a pottery related event I felt like it did belong here on my blog.
Thanks to everyone who bought pots and helped spread the word.
Thanks also to my readers who may not be for Obama. I appreciate you all for being patient with my posts. I tried not to voice my opinions about the election, and since this was a pottery related event I felt like it did belong here on my blog.
Steven Colby
Back in the 90's I took a class at Arrowmont school in Gatlinburg, TN. It was the first time I'd been to Arrowmont and I was really excited to be there. The energy was great, the clay studio was too. I've been back a few times since then to take classes or attend a conference.
During that first time at Arrowmont there was an event held in the library, maybe an auction, and I saw some work by Steven Colby. The piece I remember most was a small earthenware cup on a plinth. The cup was covered loosely in white slip. As I stood there I overheard Steven talking to someone and he was describing his work. I remember him saying, It's fired to cone 1 and it leaks some, which I like. (maybe that's not it verbadium, but it's what stuck with me).
At the time I thought, How wonderful! Cone 1! What a concept. I hadn't been exposed to clay long at that point and most of it was high fire, I'd often heard wood fired potters bragging about melting cone 13 in a burly, manly voice. Here was someone saying they fired to cone 1, how cool is that? (well a good bit cooler than 13)
Over the years I thought to myself that it would be nice to be doing something other than high fire stoneware and I'd think of Steven saying "I fire to cone 1". Maybe there was something about the number 1. Like the Beatles song. I don't know, but it stuck with me and now here I am making earthenware pots, fired to a low temp., cone 03. And hey, my first earthenware pots leaked like sieves, so I felt a real kinship to the statements I'd heard Steven say. I'd made it!
Well I've reconnected with Steven in a way. He's in Colorado now, still making earthenware pots. He has a website and a blog and I hope you'll check it out. I got his number a few months ago from potter Peg Malloy with the intention of calling him up. Until then, hopefully, we'll be connecting here in cyberspace.
Thanks Steven, you totally made an impact on my pottery life with out knowing it. I've been wanting to tell this story ever since I started in earthenware this year.
Hey!
Boy, today was a wash.
I did hear an interview with this band which I am liking. ....crazy, jump around, flailing arms, spinning about.
I've got to get some work done tomorrow. Yes.
I did drink a lot of tea out of my new rat cup.
New Jar
Yea!!!!
Just unloaded the kiln this morning. Pretty good results all around considering I was working with some new materials and techniques. First up, some cups. You can tell a big difference between the slip that I brushed on and the poured slip. I rather like the thick/thin quality of the brushed slip. Sometimes it's too thin though, maybe, not sure, I'll have to live with it for a few more days. I do think it's got potential. All 7 of these cups have a new clear glaze and guess what?.....no crawling, no crazing !!!!!!! So far, it could craze later, let's hope not.
I got a little carried away with the green on that middle cup.
This bowl has the brushed slip, see I think it could have been a little thicker. Keep trying...
Thank goodness all these came out. This finishes up a commission of dinnerware for a good customer. This is my old glaze that tends to crawl unexpectedly. No crawling!!!!! Yea! Boy, I must be living right.
Now this....this is not what I want. The new glaze made my copper slip turn this really (to me) terrible color of turquoise (?). So that's out. Lesson learned not to put the new glaze over the green slip. Yikes.
Gotta go.
I got a little carried away with the green on that middle cup.
This bowl has the brushed slip, see I think it could have been a little thicker. Keep trying...
Thank goodness all these came out. This finishes up a commission of dinnerware for a good customer. This is my old glaze that tends to crawl unexpectedly. No crawling!!!!! Yea! Boy, I must be living right.
Now this....this is not what I want. The new glaze made my copper slip turn this really (to me) terrible color of turquoise (?). So that's out. Lesson learned not to put the new glaze over the green slip. Yikes.
Gotta go.Not too much...
Not much to report from today. Finished off a bunch of pots that have been under plastic all weekend. So it was handles and feet and slipping. Tomorrow decoration and kiln unloading. New pots! Yea. Until then....