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New Day, New Week
Have a good start to the week. Check back for more later.
18 Hour Day
After breaking down my booth, I came home for a quick shower and then drove 1 hr to Charlotte to participate in 'All Fired Up', the fundraising event for Clayworks, where I teach once a week. It was a good party, my part was to help in the 'extreme throwing' demo. Five instructors, including myself, threw parts for a large basket sculpture which we assembled at the end of the night. By 9 o'clock I felt like I might fall over, (I only had one and a half beers), and we still had an hour and a half to go. Honestly I didn't feel like myself most of the night, maybe it was exhaustion, or just being up in front of a group of people. When I crawled into bed at 12:30 I was out like a light. I had dreams of big slabs of clay, and of rolling out sheets of tofu (I have no idea what that's about). Anyhow it was fun to hang out with friends, I just wish I'd had more energy.
Today I plan to do as little as possible.
Long Bottle

Tomorrow, Saturday, I will be at Art on the Square in uptown Shelby. This is a first year event and is coinciding with two other events happening uptown. Honestly, I have never done well that this kind of venue. I'm going to give it a shot again tomorrow. I will try to have postive thoughts between now and then, maybe that will attract some sales or interest.
More Studio Pics
A big stack of batts that need to be scraped off.
Six bowls I made yesterday and got slipped today. It's a new open shape that is slightly altered.
A few tankards with the Toyko pattern.
Where I Live and Work
The new studio sits where the kiln shed was originally. That shed was 16 ft square. We added onto the concrete slab to make it 20 by 36 and built the studio and showroom. The kiln was moved to a new shed (far left).
We sit about 400 ft off the road which is nice. To the east is a large field that is farmed, usually corn or wheat. Behind us to the north is a creek (where I played as a child) and a large pasture. It often has cows in it but seems to be vacant right now. To the west is my dad's house, about 300 ft away and then a small cemetery and church yard.
I am very fortunate to have such a beautiful place to live and work. I am thankful to my father for giving us this land and for all his hard work with me in building what is here now. Of course there were others too who helped with later projects.
(Just in case you are wondering...I LOVE to mow grass!)
Pictures from the Studio
The last thing I made today was some squared mugs. These will get turned over tomorrow and the bottoms will get pushed on and squared. They will get handles then too.
Here is my handy pug mill. I love this machine. When I first set up my studio Tom Gray told me I should get a pug mill as soon as I could. I saved up some money and bought a brand new Bluebird 440. It saves me from wedging most of my clay. It's also great for reclaiming scrap by mixing it in with new clay. It is by far one of the best investments I've made.
Cups
Here are the cups. They were made yesterday and have been drying. I usually turn them upside down as soon as I can to help even out the drying. They are ready for their handles.
And here they are. I love to make cups. It took me along time to really like them. Seven years. I remember when it all came together for me and my cups. Learning to make a good handle was a big part of it, and paying attention to the volume and gesture. I still make some not so great ones but I strive to be a good cup maker. Hopefully the rest of my pots are following suit.
Circle Spring Sale
Here is a partial shot of all the booths, I didn't get Jen Mecca and Sandy Singletary's booth in this picture. (Sorry girls).
Greg Scott, below with customers.
I wish I would have gotten more shots of everyone's work. Here is a quick shot of Kelly's work. For more images visit Jen Mecca's blog.
I'll be back to work in the shop tomorrow. I have another show this weekend here in Shelby. Check back this week for more.Pots. Show.

And here are a few honey jars. These are good sellers, I use ours every day.
I'll have some images from the Sale going up later in the weekend. If you are in the area please come by. Lots of great pots to choose from.
Process

Heaven

Circle of Eight Spring Sale

Lunch with Randy
After lunch I went out and made some 2 lb jars with lids and mixing bowls. Nice and slow. It's hard for me to remember to go slow. My 'monkey mind' gets going and before I know it I'm kicking up a storm. Maybe I'll put up a sign on my wheel or something. What could it say? 'Go Slow, Pots Ahead'?
Anyhow that was a good lesson for my day. Once my clay is out of the racks...my favorite body, the one with sand, and grog, and fireclay...I'll be sure to slow down and enjoy it. It is my hope that the pots will reflect this enjoyment.
Technical difficulties
Not too much to say just yet, I think my brain is on vacation and I am on automatic at the moment. The pots I left uncovered in the studio last night are still too wet to cut feet on or to handle. I'll be making some pots today including jars to take into class tonight to demo for my students. Covered pots are the focus this session.
It is sunny out today and not so windy so I'll take the tin off the racks so my clay can dry. It was too windy to do so yesterday, I'd have had bits of everything blowing in.
Okay, so that's a pretty lame post for now, I'll get something better up soon. Thanks for checking in.
Monday. Work.

Weekend
Sunday was a full blown pottery day. Julie and Adrienne from Clayworks were heading up to the Penland area to pick up some donated pots for Clayworks' upcoming fundraising event. We all knew that Will and Douglass at Rock Creek had recently fired their kiln so we worked it into the schedule that we would go there first and get some pots and hopefully have a visit. I was disappointed that we didn't get an earlier start and we didn't arrive until lunchtime. Will and Douglass had some guests visiting from Virgina, Warren Fredrick and Catherine White. I was really excited about meeting them. What was even better was that they had brought some of their pots down so we got to see them too. The highlight for me though was getting to see some of Catherine's journals, drawings, and collages. I could have stayed for several more hours and asked her questions but we needed to move on to our next stop. We did all get some great pots from Will and Douglass' showroom in the barn. I choose a nice tall footed jar.
Our next stop was at Suze Lindsey's and Kent Mclaughlin's pottery and home. Suze had us lunch ready but I was jacked up from having two cups of strong green tea at Rock Creek. This combined with all the pots in Suze and Kent's house had me very over stimulated. I get really distracted visually anyhow, especially with pots. So Suze told me to go look around. There were pots everywhere, many of theirs, but mostly of other potters from all over the country, many of my favorites. After I settled down a bit we all had lunch and a good visit. It was getting on in the day and starting to snow. Adrienne needed to get back home as she had lined up the babysitter for a certain time and we were already behind schedule. We made two more quick stops to get pots and by that time the snow was coming down in big flakes and accumulating on the ground.
We made it off the mountain and they dropped me off at my truck where we had met earlier in the day. Adrienne and Julie still had over an hour to get home, where as I only had about 40 minutes. It was an awesome day. Seeing everyone was great, the thing that is sticking with me right now are Catherine's journals. I told Sarah just the other night that I need to be spending my free time more creatively. I get my pottery time in every day just fine. What I'd like to do is take more time to draw and play in some medium other than clay. Seeing Catherine's work has made that desire more strong and I feel like I'll act on it, as a matter of fact I did a drawing this morning.
It smells funny around here.
Tomorrow I have to teach a beginner class at Clayworks and then Sarah and I are going to see David Sedaris!!!!! Yea!!! I can't wait. Sarah got the tickets for me for my birthday. I am totally excited.
Thursday Mixing


Working. Playing.
I have made very little work this week. I have a good stock for now. I am planning on firing towards the end of the month. I do need to mix up some slip and mix clay. It was very rainy yesterday. I may mix tomorrow or over the weekend.
I liked reading about how Michael approached getting in the studio to work. All the information is in there, you just have to make yourself go in there and work, go in and get it. He said he'd set a goal to make a dozen pots, then finish them the next day. If he wanted to make more than 12 he would, but 12 was the goal. For someone more production oriented it may be more, or less for someone else. I think having that discipline is great, and it's okay to know you can't meet it sometimes. I usually have a 'make list' for each kiln load. I work from it, adding or subtracting as I go. I would like to set aside some time each week or a month each year to just play or experiment. I try to pay attention as I work on my standard ware for anything new that will come up. If something does I'll set it aside or do a drawing so I can pursue it later. I realize that play is important, but I don't do it nearly enough. This past weekend I played with Sarah's niece for about an hour or more making things out of Play Dough. We had a blast and I felt creatively charged when we finished, and lighthearted.
I know another potter who says she makes 4 cups everyday. That's her start, it's a warm up and a place to play and try some new ideas on a pot that only takes a few minutes to make.
I want to spend some time really looking at what my strengths are and what it is I really enjoy doing. I like to make pots on the wheel. I like soft clay and the gesture I get from working on my treadle wheel. I like movement and volume. I want to pots to come out of the kiln looking wet, covered in the thin salt and soda glaze. Sometimes it's nice for them to be a bit dryer too though, with variations in color of the slip. I like handles and feet and torn clay and rough edges. I like the character of the clay to be there. I want to think about this stuff and really start to own it, push it, exploit it, move it around and play with it. It's all out there waiting for me in my studio.